Creative Arts
Making things with your hands as a way to settle a nervous system that will not switch off. No skill needed, and nothing you make gets judged.
For years I was an art director at one of the biggest advertising agencies in the world, raising two daughters at the same time. From the outside everything looked fine. Then one morning I paused long enough to take a breath, and realised I was never tired from how much I was doing. I was tired from never really being there for any of it.
Read my storyMaking things with your hands as a way to settle a nervous system that will not switch off. No skill needed, and nothing you make gets judged.
Short films where I think out loud about burnout, rest, and starting again later than you meant to. No advice, no five step plans.
Illustrated stories about feelings, written for children and for whoever is reading over their shoulder. The first one is out now.
For years I was an art director at one of the biggest advertising agencies in the world, and at the same time I was raising my family. If you have ever worked in advertising, you know there are no real working hours. Late nights, weekends, deadlines, constant pressure.
I kept going through my first pregnancy, and then through my second. I kept performing. Wake up early, get my daughters ready, rush to work, perform all day, then come home and switch straight into mom mode.
I had to be present at work. I had to be present at home. From the outside everything looked fine. People probably thought I had it all together.

One day I realised I was completely burnt out. And in the middle of the burnout, something kept nudging me toward yoga. I had never done yoga. Nobody around me was doing yoga. There was just this quiet pull.
The problem was that I had no time. Or at least that is what I told myself. Eventually I bought an online course and promised myself thirty minutes every day for one month. That was it.
I would wake up early before work, go into the living room, press play, and follow the class.

Then one day, in the middle of a session, the teacher said pause and take a deep breath. Such a simple sentence. But I remember taking that breath and feeling my whole body soften.
For the first time in a very long time I felt calm. I felt safe. I felt present.
And that is when it hit me. I was never tired because of how much I was doing. I was tired because I was never really there for any of it.


A bird lands next to Somi with a hurt wing. She tries everything she can think of to make it better, and none of it works. Then one quiet moment changes the whole afternoon.
It is a book about feelings, about staying with someone while they are struggling, and about how comfort often begins with being seen rather than being fixed.
Order nowWritten and art directed by Tania Tabbal.
Illustrated by Thierry Chehab. Writing guidance by Gaby Milky.